Description
A two-part workshop exploring the use of oil monotypes on Asian paper with encaustic collage. The sessions need several weeks between so that monotypes will be completely dry for collaging.
- Part One is for creating oil monotypes using various plates, and R&F Pigments Sticks and/or oil paints, on inexpensive “rice” paper, or other thin and absorbent papers.
- Part Two explores creating images on panels by collaging the dry oil monotypes with encaustic medium and further developing the image with drawing, and cutting methods.
- Materials provided:
- printing plate
- gelatin Plate (either GelPress or Gelli brands, or homemade)
- plexiglas
- R&F Pigment Sticks
- R&F Blending Medium
- oil paints
- rice paper
- 2 10 x 10 inch cradled panels
- encaustic medium
- printing plate
- Personal tools or supplies to bring if desired:
- Session One:
- silicone tools and/or pottery tools for making lines and shapes
- hand-made or store-bought stencils, and stamps
- any materials for patterning or light texture
- additional rice paper
- gloves
- Session Two:
- burnisher – an etching burnisher is best, spoon is good, bone burnisher is less good
- drawing – ArtGraf, Stabilo Woody, litho crayon
- Exacto knife of choice
- single edge razor blade or scrapers
- toning – PanPastel
- additional panels
- Session One:
Each session runs from 10 a.m. to 2 p.m. in my New Boston Studio or online. Class is limited to 2, and casual. Bring your lunch.
NEXT DATES: Contact me to arrange a date
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